Showing posts with label 11th century. Show all posts
Showing posts with label 11th century. Show all posts

Saturday, January 24, 2009

Africa, Africa!

One of my major gripes is that many people tend to think of the Byzantine empire as only being Greece, Egypt, and part of Asia Minor. I find that the most interesting artwork, however, comes from the fringes, and is a unique combination of regional and traditional Byzantine style. The further away from Constantinople you go, the more regional the art gets. In my opinion, The Sudan (Nubia) and Ethiopia belong to those ignored areas of Byzantine art. Although they, like Russia, were never part of the Empire, they both were christianized by the Byzantines (Nubia in the mid 6th century and Ethiopia in the mid 4th) and, as a result, their cultures and artwork were very much influenced by this. Here are two examples of Nubian frescos, these two both come from Faras.


The first one depicts Queen Martha, protected by the Virgin Mary and a martyred soldier, and dates from the 11th century. Martha's dress is a beautiful mix of traditional style and Byzantine ceremonial garb.


The second image shows a Nubian princess being protected by the Virgin Mary, and dates from the 12th century.

Both are in the National Museum at Khartoum.















The next image comes from an Ethiopian illumination, dating before 1350. It is a depiction of the angels leading Mary to Temple. It comes from the Cloister Estifanos at
Lake Hayq.

In this illumination, you can really see the mix of Byzantine themes and style, with very Ethiopian elements. What is especially typical of the region are the noseless, mouthless faces and the oversized eyes. What I love about it is the beauty that lies in its simplicity.

It is now located in the National Library at Addis Ababa, Inventory number A.5










Source: Volbach, W.F., J. Lafontaine-Dosogne. "Propyläen Kunst Geschichte, Band 3: Byzanz". Propyläen Verlag, Berlin.

Saturday, January 10, 2009

Charmed!

Today I bring you some 10th-11th century Anglo-Saxon anti-elf recipes. In their culture, many diseases were attributed to elves, and this was, for the most part, accepted and supported by the church at the time. An interesting point is that when you have a sharp pain in your back the German word still used for it is "elf-shot". Another thing I personally find interesting is the inclusion of garlic in a preparation against "nightgoers"... looks like Bram Stoker didn't invent that much on his own:-) If any of you have more information on this, I'm all ears!

"Work a salve against elfkind and nightgoers [aelfcynne, nihtgengan], and the people with whom the Devil has intercourse. Take eowoumelan, wormwood, bishopwort, lupin, ashthroat, henbane, harewort, haransprecel, heathberry plants, cropleek, garlic, hedgerife grains, githrife, fennel. Put these herbs into one cup, set under the altar, sing over them nine masses; boil in butter and sheep's grease, add much holy salt, strain through a cloth; throw the herbs in running water. If any evil temptation, or an elf or nightgoers, happen to a man, smear his forehead with this salve, and put on his eyes, and where his body is sore, and cense him [with incense], and sign [the cross] often. His condition will soon be better"
Leechbook, book III

And one against nightmares:
"if a mare ride a man. Take lupin, and garlic, and betony, and frankincense. Bind them on a fawn's skin. Let a man have the herbs on him, and let him go inside.
Leechbook, book I

And one against Water Elves:
If a man is in the water elf disease [waeter aelfadle], then the nails of his hand are dark and the eyes teary, and he will look down. Give him this as a medicine [laecedome]: everthroat, hassok, the lower part of fane, yewberry, lupin, helenium, marshmallow head, fen mint, dill, lily, attorlathe, pulegium, marrubium, doch, elder, fel terre, wormwood, strawberry leaves, consolde. Soak with ale; add holy water to it. Sing this gealdor over it thrice:
I have bound on the wounds the best of war bandages, so the wounds neither burn nor burst, nor go further, nor spread, nor jump, nor the wounds increase [waco sian?], nor sores deepen. But may he himself keep in a healthy way [halewaege?] . May it not ache you more than it aches earth in ear [eare?]. Sing this many times, "May earth bear on you with all her might and main". These galdor a man may sing over the wound."
Leechbook III


Source: Joly, Karen Louise. "Popular Religion in Late Saxon England: Elf Charms in Context". University of North Carolina Press, 1996. pp. 149, 159, 165

I really, really shouldn't have to say this, but please don't try these at home.